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Archive for the ‘Tickets for the Last Supper Milan’ Category

Introductory Note: Among the lanes and avenues of ancient Rome were apartment buildings known as insule (insulae, plural). Within these structures were small upstairs rooms that were used for meals. The Italian word for the dinner meal, cena, comes from the Latin word for those upper rooms: cenaculum. The Italian word for the Last Supper, Cenacolo, is also derived from that same base word and is used interchangeably with “‘l’Ultima Cena” (The Last Supper of Jesus and his disciples).

In Search of Florence’s Last Suppers

Taddeo GaddiLast Supper and Tree of Life, ca. 1340Santa Croce

Taddeo Gaddi
Last Supper and Tree of Life, ca. 1340
Santa Croce

My first encounter with Taddeo Gaddi’s fresco of the Last Supper and Tree of Life came late on a summer’s afternoon. Santa Croce lies east of the Piazza della Signoria. The ancient lanes you walk to arrive at the Piazza Santa Croce take you past the area where the ancient Roman amphitheater of Florentia once stood.

My goal was to visit one of the most famous symbols of Florence, Cimabue’s Crucifixion. It was only upon entering the vast space of the refectory that the scale and beauty of Gaddi’s work came to me. Below the Tree of Life is the Last Supper, a work that was heavily damaged during the floods of November 1966. It has been painstakingly and lovingly restored.

On another day in Florence, I was fortunate to be introduced to the work of another Renaissance artist, Andrea del Castango. His luminous Last Supper, a fresco on the northwest wall of the refectory in the Convent of Sant’Apollonia, came as yet another surprise.

Last Suppers. Florence. Cenaculum. Upper Rooms.

My curiosity was roused. How many paintings of the cenaculum exist in the city? My search for the Last Suppers of Florence began.

The list is long.

No fewer than seven Last Supper frescoes exist within the confines of the ancient city center. From Santa Maria Novella on the northwest part of the, to Ognissanti in the city center, to Santa Croce and San Salvi in the east, the collection of these incredible works span centuries, united by their subject matter. By taking the time to visit them, visitors can learn a great deal about the changes made in the art of fresco during the Renaissance. An added bonus is that these marvelous pieces of art are rarely visited by but a few tourists.

Rather than detail each of these unforgettable frescoes, I have placed photos of the frescoes below, in time line sequence, earliest to latest. Below each photo are details about their location, the open hours, the price of entrance tickets, and some brief analysis and information about the work.

Regardless of your religious beliefs, the beauty of these frescoes and the places they were created, offer visitors ample opportunity to more deeply understand the profound influence of the Christian church on the artists and history of Renaissance Florence.

I hope that those of you who visit Florence will take time to visit these unforgettable works of art.

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IF YOU GO:

The Cenacule of Florence – the Last Suppers of Florence

GaddiLast Supper & Tree of Lifeca. 1335

Gaddi
Last Supper & Tree of Life
ca. 1335

Other than the Last Supper by Leonardo da Vinci and very few other frescoes, Gaddi’s work placed the disciple Judas Iscariot on the opposite side of the table from Jesus and the other disciples. This same configuration is repeated in most Renaissance Last Supper Frescoes.

Taddeo Gaddi

Last Supper and Tree of Life, ca. 1335

Refectory, Basilica of Santa Croce

Piazza di Santa Croce, 16
50122 Firenze, Italy
Tel: 39.055.244.619

Entrance tickets: Euro 6.00 per person

Location of Ticket Office: The ticket office is on the north side of the basilica. As you face the facade of the church, go to the left side and you will find the ticket office and visitors entrance. The refectory is through the church nave on the south side of the complex.

Domenico GhirlandaioLast Supper ca. 1447Convent of Sant'Apollonia

Andrea del Castagno
Last Supper ca. 1447
Convent of Sant’Apollonia

Andrea del Castagno

Last Supper, ca. 1447

Convent of Sant’Apollonia

Via 27 Aprile, 1
50129 Firenze, Italy
Tel: 39.055.238.8607

Entrance tickets: Entrance to this refectory is free

Open hours:

Tuesday-Saturday 9am-2pm

Closed on the 2nd and 4th Monday of each month and the 1st, 3rd and 5th Sunday of each month

Castagno chose to place the figure of Judas facing to the right, unlike Gaddi’s composition which had Judas looking to the left. Also, Castagno has Judas and Jesus in closer proximity than in Gaddi’s earlier work.

Domenico GhirlandaioLast Supper, ca. 1480Ognissanti

Domenico Ghirlandaio
Last Supper, ca. 1480
Ognissanti

Domenico Ghirlandaio

Last Supper, ca. 1480

Ognissanti, Florence

Borgo Ognissanti, 42

50123 Florence, Italy

Tel: 39.055.239.8700

Entrance Tickets: Entrance to the church is free

Open hours:

Weekdays and weekends: 7:125AM – 12:30PM and 4:00PM to 8:00PM

Festival days: 9:00AM to 1:00PM and 4:00PM to 8:00PM

Be sure to check hours of the Mass so you do not interrupt services.

In the first of two Last Supper frescoes commissioned with Ghirlandaio, (see next listing below as well) Judas is facing left and rather than St. John being bowed onto Jesus’s arm, in Domenico’s work he portrays the disciple as deferential, his head nearly even with that of Jesus.

Domenico GhirlandaioLast Supper, ca. 1482San Marco

Domenico Ghirlandaio
Last Supper, ca. 1482
San Marco

Domenico Ghirldandaio

Last Supper, ca. 1482

San Marco

Piazza di San Marco, 1
50121 Firenze, Italy
39.055.238.8608

Entrance tickets: Euro 4.00 per person

Open hours:

Monday-Friday 8:15am-1:30pm

Saturday, Sunday: 8:15am-4:50pm

NOTE: Closed the 1st, 3rd and 5th Sunday

and the 2nd and 4th Monday of each month, New Year’s Day, May 1, Christmas Day

Considered by many art historians and experts to be the finest Last Supper of the 15th and 16th Century Italian Renaissance, Ghirlandaio’s second Last Supper – his first (above) was completed two years earlier – reflects important lessons learned in both the quality of the paints used in the fresco, the depiction of body posture and the refined use of perspective.

Pietro PeruginoLast Supper, ca. 1492Convent of Fuligno

Pietro Perugino
Last Supper, ca. 1492
Convent of Fuligno

Pietro Perugino

Last Supper, ca. 1492

Convent of Fuligno

Via Faenza, 42
50123 Firenze, Italy
Tel: 39.055.286.982

Entrance Tickets: Tickets for the church are free

Open hours:

Tuesday, Thursday, Saturday 9am-Noon, Closed Sunday

Closed New Year’s Day, Christmas Day, May 1

Early attributions of this fresco were to the Renaissance artist, Raphael. Further inspection and study revealed it to be a work by the Umbrian artist Pietro Perugino. Some art experts believe that this fresco was painted over a late 15th century work by Neri di Bicci, a Florentine Renaissance artist. The fresco is considered to be the finest example of Umbrian Renaissance art in the city.

Andrea del SartoLast Supper, ca. 15159 - 1527San Salvi

Andrea del Sarto
Last Supper, ca. 1519 – 1527
San Salvi

Andrea del Sarto

Last Supper, ca. 1519 – 1527

San Salvi

Entrance tickets: Entrance to the church is free

Open hours:

 Tuesday hours 8:15 am–1:50 pm

In 1530, the commander of Spain’s Charles V’s troops who had invaded Florence spared this work owing to its incredible beauty. Andrea del Sarto chose to place Judas to the far right, so that the other figures in the painting would be the focus of his work. The fine detail of this fresco is incredible to see and well worth the effort of finding your way to the church of San Salvi.

Alessandro ALloriLast Supper, ca. 1584 - 1597Santa Maria Novella

Alessandro Allori
Last Supper, ca. 1584 – 1597
Santa Maria Novella

Alessandro Allori

Last Supper, ca. 1584 – 1597

Santa Maria Novella

Piazza di Santa Maria Novella, 18

 50123 Florence, Italy

Tel: 39.055.219.257

Entrance tickets: Euro 2.50 per person

Open hours:

Monday, Thursday, Saturday, Sunday 10am-4pm
Weekday holidays 9am-2pm

One of the most unusual frescoes and paintings of the Renaissance. Allori’s work, mannerist in style, is actually two works of art: fresco and canvas. The panel in the lower center of the fresco is actually a canvas on which Allori has created a vision of an energetic and physically active Last Supper. There is a heretofore unseen vitality and dynamic to this depiction of the event. Allori’s unique work served to inspire other artists of the late 16th Century to experiment with new styles of art. This is the final depiction of the Last Supper in a Florentine church.

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MILAN – DO I GO?

I’ve mixed feeling about visiting Milan. After ten visits to Da Vinci’s Last Supper at Santa Maria della Grazie I’m not enthusiastic about all the insanity you have to go through to see, next to Michelangelo’s David in Florence, the most visited work of Renaissance art in the world. Truth is, its frustrating. Large tour companies book entire months as much as a year in advance. They do, essentially, control any/all ticket sales. Any individual tickets that become available are almost entirely based on cancellations made by the tour companies.

Recently, tickets were not available ten (yes, ten) months in advance of one of my small group tours. If you wish to make reservations with Viator, or other large tour companies in Milan, to see the city by bus – and they do offer very good tours that way – then that’s the way to go.

If you wish to give it a try, link here to see if tickets for your desired date are available.

Despite the challenges presented by a visit to the Da Vinci, this very modern Italian city offers many other delights. Read on.

The Duomo (Cathedral) of Milan

The Duomo: What a confection of white marble! Spectacular. The Piazza that fronts the cathedral of Milan is one of the largest in Italy. The scale of the structure dwarfs even that huge space.

Inside the cathedral are stained glass windows, behind the main altar, designed by Marc Chagall. These windows were installed after the bombings of WWII.

Marco d’ Agrate’s
Saint Bartholomew
1562

Marco d’ Agrate’s 1562 sculpture of Saint Bartholomew is one of the most unusual in Europe. The saint was flayed alive (that is, skinned alive) so the sculptor chose to depict Bartholomew’s musculature exposed, his skin wrapped around his body. Fascinating and disturbing, at best.

If you wish to visit the roof of the duomo – and I highly recommend you do – go to the southeast corner of the church where you will find the elevator to the roof. The number and beauty of the statues and gargoyles is mind-boggling.

The Galleria Vittorio Emanuele and loggia walkways around the Piazza Duomo.

Next to the Cathedral of Milan is the Galleria Vittorio Emanuele. Completed in 1877 it is the first covered ‘mall’ in Europe.

Today, fashionistas rub elbows with tourists in the many cafes within. Impeccably dressed Milanese move effortlessly in and out of gorgeous, expensive clothing and jewelry shops. The mosaic and inlaid floors are, in and of themselves, a wonder to behold.

At the center crossing of the galleria floor are mosaic coats of arms of the four major cities of Italy. Turin, west and south of Milan, uses a bull as its symbol. Tradition has it that, if you place your foot on the bulls, ahem, private parts and spin 360 degrees without your other foot touching the floor, you will have good luck. It is really fun to watch people try this from an unobtrusive corner. And yes I’ve tried several times, all to no avail!

If the deep depression in the floor above the unfortunate animal’s lover-section is any indication, a great many tourists and locals believe in the tradition!

La Scala and the Piazza della Scala

At the north entrance to the Galleria is the Piazza della Scala which fronts the world famous Opera House of the same name. This is a lovely park area in the center of Milan. There are benches for a much needed break and people watching, a national sport in Italy, is always fascinating.

For those obsessed with, or just interested in, opera, a visit to La Scala offers interesting glimpses in to the world of music. There is a small museum inside the building and visitors are also afforded the opportunity to view the interior of the theater from one of the third level private boxes. This is certainly not any waste of time; if anything, the visit underscores Italian’s love of music and their dedication to the opera composer’s art.

Via Montenapoleone:

If your interests tend to the current trends in clothing design, then this is your street. Known as the headquarters of  Italian fashion, the boutiques for shopping, and the people watching, offer fascinating glimpses into the world of “La Moda.” This wide, truly monumental, boulevard shares its justifiable reputation with the Fifth Avenue in New York and the Rue du Faubourg Saint-Honoré in Paris.

This is one of the most expensive commercial / residential areas of Milan. Be aware that costs for meals and beverages are at least one and a half times the average cost for such things in other areas of the city.

Fortezza Sforzesco

In the heart of Milan stands one of the most historically intriguing and architecturally powerful buildings in the world. From 1392, when the Visconti family began improving and strengthening the fortifications, to the time of Francesco Sforza who transformed the buildings into his private ducal residence, this is a building whose construction reflects the political history of Italy.

You can visit the fortress in about two hours. There are several spaces within the structure now used for art and fashion shows, so it is very helpful to check the site’s web resources before you visit. See information below under “If You Go.” A MUST even if you find history boring. This is one place  guaranteed to fascinate.

 . . . and finally, the Navigli Neighborhood

Surprisingly enough, there is an area of Milan that is crisscrossed by navigable canals. Southeast of city center, and easily reached by using the Green Line of the Milan subway system (watch your personal belongings!), you will exit at the Porta Genova train station. As you exit the station you are in the heart of Milan’s answer to Venice. If you go in the winter months, don’t be surprised by maintenance work and dry canals.

This is one of the liveliest arts districts of Milan. Evenings are always crowded with all ages, some heading to clubs, others to galleries that tend to the newest Italian talents. Enjoyable, fun and truly memorable.

IF YOU GO:

Milan’s Stazione Centrale is one of the largest train stations in Europe. Connections to all cities across Italy are available, from regional trains to the fast Eurostar Italia. There is a huge subway station under the station and access to all areas of the city are easy. There are kiosks throughout the station that facilitate the purchase of tickets. The kiosks have touch-screens and offer numerous language options for the simple step-by-step purchase process.

NOTE: Be very careful with your personal belongings while in the Metro stations and trains in Milan. Pickpockets are plentiful and determined.

The Last Supper – Leonardo Da Vinci

Santa Maria della Grazie

Piazza Santa Maria delle Grazie, 2

20123 Milan, Italy

Tel: +39.02.467.6111

Remember that you cannot just show up at the entrance for the Last Supper and expect to enter. Pre reserved reservations are mandatory.

Tickets? Try Last Supper Tickets

Duomo:

Hours: Every day: 7:00 a.m. – 7:00 p.m. Last admission at 6:45 p.m. Free admission.

For detailed history and information about the cathedral:

Duomo Milan

La Scala Opera House:

Tickets: Euro 6.00 per person, From 9 am to 12.30 pm (last entrance at 12 noon) and from 1.30 pm to 5.30 pm (last entrance at 5 pm)

(NOTE: Visits are closed from 12:30PM to 1:30PM)
The museum is open everyday except: 7 December, afternoon of 24 December, 25 and 26 December, 31 December afternoon, 1 January, Easter Sunday, 1 May, 15 August.

La Scala Information

Fortezza Sforseco

Hours: Open daily
7.00 a.m. – 6.00 p.m. (in winter) | 7.00 a.m. – 7.00 p.m. (in summer)
Free admission (except for castle museums)
Public transport:
Underground: MM1 Cadorna, Cairoli – MM2 Cadorna, Lanza
Buses: 18,50,37,58,61,94

Castle Museums: Entrance ticket Euro 3.00

For more information and to check event schedules at the fortress:

Fortessa Sforzesco

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